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  • Oliver Baros

Oliver
Baros

It is my final year of college, and I was asked to produce a project that I had full freedom of doing , I was unsure what to produce from previous years, but I was always the type of person to create something vastly different from my earlier
projects. I knew I wanted to focus on compositing.

The name SCRAP came from a sketch I did where it was a double meaning of metal and fight between two people. And I expanded on that idea that I originally wanted a world where deep in the ocean was a whole other world. And I would produce a
scene for it.

The logline of it is “Going deeper and deeper in the ocean where it get more abstract the lower you go”

I always want to try new ways or do things that are not typically done , in much of the animation it typically goes from left to right or using the horizontal plane.

I wanted to evoke the feeling of going deeper in the ocean , what better way to invoke that by continually making the movement in a downward movement?

As you can see from the opening shot, we can see the light peeking in , down to the very end where we see the kraken in the last shot , in-between though it can be anything whether it be the ripples or the Sea Angel