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- Charles Imperial
Charles
Imperial
Mathew 6:33
My collection explores the theme of reconnection with faith and Catholicism, that is why I have chosen “Matthew 6:33” as my collection title, for it represents my current journey.
This journey has shaped both my textiles and creativity.
The idea stems from a desire to bridge the sacred with the tangible exploration of how faith can be reinterpreted through the lens of fashion and textile design.
Through using my skills, I aim to communicate a spiritual narrative, weaving together tradition, devotion, and contemporary aesthetics.
This collection all came from my primary source, which is the Berlin Cathedral, Pulling through design ideas by mark making the cathedral to the iconography of
Catholicism intricate patterns, rich textures, and colors.
Ultimately, this collection is a meditation on the power of belief and the way it can be reflected, reinterpreted, and even reinvented in a modern context.
It is my intention to use fashion and textiles as a means of reconnecting and to base my work on something greater than myself through the tactile experience of creation and design.
Mini to Maxi
For this project, we were tasked with designing and constructing a jumper, drawing inspiration from an assigned fashion designer.
I was given Walter Van Beirendonck, a renowned Belgian designer celebrated for his bold use of vibrant colours, striking graphics, and unconventional shapes.
My goal was to create a garment that truly embodies the essence of Van Beirendonck’s distinctive aesthetic. This project challenged me to step outside my personal design preferences and interpret someone else’s creative vision. It was a valuable opportunity to develop skills in adapting to different brand identities an essential ability for working within diverse fashion houses and meeting varied client expectations in the professional industry.
Street Art
Building on the previous project, my third design continued the exploration of vibrant colours and textures inspired by Walter Van Beirendonck.
This time, however, the concept was rooted in the dynamic world of Manila street art. Drawing inspiration from the bold visuals and cultural energy found in the streets of Manila, I began the design process with extensive mark making sketching, abstracting, and reinterpreting various forms of street art to develop a visual language unique to my own aesthetic.
This project allowed me to merge two strong passions, concept design and streetwear.
I was particularly focused on creating a garment that not only spoke to the colourful expressiveness of Van Beirendonck, but also reflected the raw, authentic spirit of Filipino urban art.
The textile development process played a crucial role in this project.
I used 100% recycled denim jeans as the base material, reinforcing my commitment to sustainability. Through bleaching, dyeing, and lino printing, I transformed the denim into a vivid, textured patchwork.
The final result was a full denim look that captured the rebellious creativity of Manila street art while honouring the bold and playful aesthetic of Walter Van Beirendonck.