Rachel
Moran
The Fool’s Journey
The Major Arcana that makes up the first 22 cards of a tarot deck explore the narrative of the Fool’s Journey. This story is told starting from card 0, The Fool, and ending with card 21, The World. It is a metaphorical representation of the journey through life one must take to become enlightened. The titular Fool encounters various characters representing moments of growth or change. My collection, titled ‘The Fool’s Journey’, revolves around utilising collage and printmaking to reimagine this classic story as a reflection on my own personal journey throughout my academic career at LSAD.
For this project, I am straying away from traditional depictions of the Major Arcana and instead creating new imagery that reflects a more personal and contemporary interpretation of each card. These depictions draw inspiration from the reading of the cards rather than numerology or astrology that features in decks such as the Rider-Waite. Collage is an important aspect of my practice in general but holds special significance for this collection. Appropriating imagery and reinterpreting it into something new is representative of the motivation behind this deck. I am working from the foundations of the traditions of tarot but reimagining them in a new and more personal way.
The Vulnerability is Kinda the Whole Point
An important aspect of my practice is my continuous effort to express the paradoxical relationship between creating in an effort to express oneself and the fear of vulnerability. By exploring expressions of the inner self, a natural contrast began to emerge; the warm, grounded urge to connect with others against the cold, reticent compulsion to hide from view.
The physical form is a crucial motif within this project, although it is always concealed in some way from the viewer. The viewer is not allowed to view all parts of the body, as the figure is always posed or distorted it in some way. However, the inclusion of text in these works serves to invite conversation with the viewer, expressing this urge to communicate the inner workings of the self.
Animal imagery works in tangent with this motif as the removal of the body allows for a degree of separation between the viewer and the work. This allows for a more vulnerable quality to the works.
This idea of text inviting the conversation on vulnerability expanded upon further in the works featuring poetry. These works contain limited imagery and instead focus primarily on text allowing for a discussion of more vulnerable topics such as my idea of what it looks like to have faith and this ardent and unending relationship you have with yourself. The dissonance between the two sides of the self is my primary concern; that there is an effort being made to be vulnerable and yet a level of disconnect must remain for that vulnerability to be expressed at all.