• Megan Henry
Megan Henry

My work focuses on the farming life in rural Ireland, capturing the relationship between farmers and their land. This connection is not just practical but deeply emotional, rooted in generations of tradition and values tied to family farms. I primarily work with the mediums of pencil and charcoal, to explore the raw details and textures that show the fragility and importance of these spaces. Negative space plays a big role in my work, as I feel it reflects the quietness and stillness I try to portray.

I have a particular interest in the legacy of farmland and how it has been passed down through families. However, this tradition is under threat, as younger generations are stepping away from the farming life. Through my work, I want to preserve the memory of this way of life, honouring the dedication and sacrifices of farmers who have given their entire lives to their land. It’s a reflection on both the beauty and the challenges of a tradition at risk of disappearing. Through my work, I hope to share a sense of place and invite viewers to pause and appreciate the subtleties of the world around them, just as I do in the spaces I call home.

In this project, I explore the different personalities that exist within shared accommodation. Although many of us share our living spaces with others, a sense of isolation can remain. My work focuses on how college life can sometimes feel lonely, even when you’re surrounded by others. College can bring stress, pressure, and anxiety, especially around academic work. I want to show how this pressure can create an atmosphere of worry and isolation. I have used objects in my work to tell the story of each person and to represent their story and indicate their private struggles.

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