• Aoibhe Humphreys

Aoibhe
Humphreys

Taoidí Dóchais (Tides of Hope)

Inspired by the rich history of Irish emigration to America, my A/W womenswear collection reflects the emotionally and physically challenging journey of Irish immigration, which began with the Great Famine of 1845. With particular reference to New York, a city shaped by its Irish diaspora, my collection explores duality of identity, the pain of displacement, and the hope of a new beginning. Through my use of innovative techniques such as laser cutting and engraving, I created a visual narrative, with laser cut lace and written script, which alongside both fluid and chaotic drapery and tailoring, and asymmetric silhouettes, allowed me to convey the tension, fragmentation and fragility of the immigrant experience. My chosen colour palette captures the emotional weight of this narrative, drawing inspiration from national famine memorials in the west of Ireland, The shades of blue and green with rust orange, echo the Irish landscape while symbolizing sorrow, heritage and hope. The fabrics I used in this collection, mainly wool blend suiting, reflect Ireland’s rich heritage of working with wool fibres. This fabric allowed me to create my desired flow and drape, whilst also supporting my complimentary tailoring. Within my fabrics and colour story, I incorporated plaid and pinstripe patterns, drawing from both Irish heritage and the culture of New York. These elements contribute to the visual disarray, reflecting the complex identity of an immigrant. In all this collection is a reflection of our heritage and a homage to the resilience, complexity, and enduring spirit of the Irish immigrant journey.

The Remake Project is a Technical Pattern drafting project, which involves recreating a piece by a chosen designer. the objective of this project is to enhance technical and pattern drafting skills and to practice the ability to interpret, make and create what you see. My chosen piece to recreate was look 30 from Christopher John Rogers Resort 2023 collection. I chose this piece for it’s mix of technical tailoring in the jacket and drapery in the skirt. There was a lot of learning in this project in deciphering how the pieces are made, which process is best and how to approach the execution.

Subtraction Cutting collection

This Project was based off a workshop in subtraction cutting with Julian Roberts. Subtraction cutting is an experimental pattern cutting technique developed by Julian Roberts, with focuses on strategically and experimentally removing (subtracting) the fabric from the one larger piece, as opposed to traditional pattern cutting which relies on the precise merging and creation of patterns. This practice in turn creates voluminous and extravagant drape and silhouettes. From this initial workshop, I practiced and experimented with the technique further and incorporated stand work from smaller samples to build a mini collection of abstract pieces.

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