We are living in a time where visual self-perception is very important. More specifically, there is a prominent contemporary fixation with achieving flawless, blemish-free, perfect skin. My work explores the stigma of imperfection.
So-called ‘repulsive’ skin conditions and unique skin marks which we collectively try to erase underpin and inform my work. Natural biological growths such as skin tags, warts, and moles offer irregular, repetitive patterns, structures, contrasts of colour and surface creating visually beautiful three-dimensional forms.
When viewed from a purely aesthetic perspective and without the bias of disgust, these qualities can be used to explore notions of acceptability. If they could somehow be removed from their direct association with the body, could perceptions be changed? Rather than pursue the blandness of ‘perfection’, the rich collection of visual imperfections that humans display invite me to explore, emphasise, and celebrate the natural beauty of skin.